Fender Wide Range

The Fender Wide Range Humbucker is a humbucker guitar pickup, designed by Seth Lover for Fender in the early 1970s. This pickup was intended to break Fender's image as a "single coil guitar company", and to gain a foothold in the humbucker guitar market dominated by Gibson.

The pickups enjoyed some popularity, though they certainly were never as widespread as Fender's single-coil pickups. Original Wide Range pickups were available from 1971 and subsequentially installed in the Deluxe, Custom and Thinline Telecasters as well as the Starcaster, ceasing production successively in 1979 when these models were discontinued. Fender Japan were the first to introduce a reissue in 1983, followed by the Made in Mexico version around 1998. The Wide Range Pickup found on American made Fender guitars is actually the Mexican-made model introduced in 1998. All reissues differ from the original Seth Lover design in both construction and sound (see below).

Construction

The Wide Range pickup was conceived to be sonically closer to Fender's single coil pickups than Gibson humbuckers. Due to the difficulty of machining AlNiCo magnets into screw-type pole pieces, this concept called for the use of the more easily machinable CuNiFe (Copper/Nickel/Iron) rod magnets as pole pieces within the coil structures, to function more like a regular Strat pickup than a Gibson humbucker. Whereas Gibson humbuckers use a single bar magnet under the coils of the pickup, Wide Range pickups have individual CuNiFe magnets that were threaded and slotted to resemble the adjustable screw type poles of a Gibson humbucker. The pickup bobbins were wound with approximately 6800 turns of copper wire around the pole-pieces and the Wide Range pickup has a DC resistance of around 10 kΩ.

There have been three reissues of the pickup, one manufactured in Japan using ceramic magnets, one in Mexico using alnico. Despite an almost identical appearance, both are constructed differently from the original 1970s unit. The current Mexican reissues, much like a Gibson humbucker, feature a bar magnet underneath the bobbins that abuts to 6 screw type pole-pieces in each coil; they are simply conventional humbuckers placed in the larger "wide range" humbucker casing, and the gap is filled with wax. Although neither pickup precisely replicates the sound of the original, they are at least tonally similar with the Japanese reissue sounding hotter and the Mexican reissue sounding more like a standard Gibson humbucker. A more recent reissue, currently exclusive to the Lee Ranaldo signature Jazzmaster, has been "re-voiced" to Ranaldo's specifications, but appears to be constructed similarly to the Mexican reissue.

There are a few pickup makers producing modern replacements for the original design, namely Jason Lollar, Curtis Novak, and Telenator Musical Electronics LLC in the US, and in the UK The Creamery based in Manchester, UK. Both The Creamery & Catswhiskers in the UK, and Curtis Novak in the US, also produce a standard humbucker sized pickup that gets very close to the sound of the original pickup which used CuNiFe magnets. At this time, Telenator is the only manufacturer in the world producing a Wide Range Humbucker using actual CuNiFe magnets.

Sound

Original "Wide Range" pickups are described as sounding "fat" but with a noticeable improvement in clarity and detail over Gibson humbuckers. Combined with a bridge single coil pickup on a Telecaster it gives a smooth, warm yet biting sound. Famous users include Keith Richards of The Rolling Stones, Graham Coxon of Blur, Wes Borland of Limp Bizkit with his solo project Black Light Burns, Rich Robinson of the Black Crowes, Ryan Adams, Win Butler of Arcade Fire, Alex Kapranos of Franz Ferdinand, Lúcio Maia of Nação Zumbi, Roy Buchanan, Billy Gibbons of ZZ Top, Thom Yorke and Jonny Greenwood of Radiohead as well as Lee Ranaldo of Sonic Youth's modified "Jazzblasters" which featured "wide range" pickups on modified Fender Jazzmaster guitars.

Market value

Due the use of the Wide Range Humbucker by legends of rock Sonic Youth as well as modern bands as Franz Ferdinand and the fact that the reissue FWRH sounds different from original, vintage pickups, demand has grown for the original pickup. As of 2007^[update], the value of an original WRH in excellent condition was approximately $200, while by 2008 the value had risen to $300-$400.

References

• Pickup Measurements

External links

• User Reviews on Harmony Central
• Pictures + description of differences between vintage and reissue pickups, on Curtis Novak's website